This final entry in Blumhouse’s reboot trilogy is so disconnected from its predecessors it feels like a different franchise altogether. Ends has more in common with John Carpenter’s Christine than it does with his Halloween. (I mean both films include sociopaths with the last name Cunningham — coincidence, I think not.)

The trilogy established a story centered around the Strode women, but instead of going all in with those characters this finale introduces an entirely new unlikeable lead that sucks up ¾ of the movie. The question of “is evil born or bred?” is an interesting one, but it is too late in the franchise to start exploring other characters when all we really want is a satisfying wrap up with the ones we are already invested in.

Michael Myers is mainly sidelined, leaving the few amount of kills there are to a character we have no history with and don’t care about. Sure, once he is out of the picture, the film gives us the Laurie/Myers showdown we have been promised. The climax of the film is enjoyable but surprisingly not as cathartic as you’d expect with the weight of 40+ years behind it.

The kills are few and lackluster, the script is hackneyed, dialogue cringy, and the all around viewing experience is depressing. A mediocre way to end this trilogy, not to mention the half decade of legacy that Jamie Lee Curtis and company brought to the franchise. (Kill Count: 15)

Story: 4/10 | Kill Creativity: 3/10 | Execution: 4/10

Average Score: 3.6/10

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迈克尔·迈尔斯在新电影中死灰复燃万圣节结束似乎是一个大好时机重温40多年的电影从特许并看新进站在哪里恐怖卡通