粗铁佩恩透露他为什么等到现在才公开出来,在好莱坞面对的种族主义

Kal Penn:哦,那真是一个更好的问题。你知道,很多书中的故事,我告诉,我告诉,我想让读者觉得我和他们有一个啤酒,因为通常我告诉的故事如何了解我的朋友。和前几章与早期生活中学,在好莱坞的铸字——其中一些早期生活的挫折。和我用来口头讲述这些故事,有趣的是我的朋友。初稿我转我的编辑,那些早期的章节是超级黑暗和我没有预料到他们会黑暗,对吧?

我的意思是,看,首先,我是一个演员。任何时候我记得一个故事,我觉得这个故事,我觉得这些故事的铸字和试镜。我告诉这个故事的一集塞布丽娜的女巫和那些制片人和导演是多么可怕。就像页面。它是如此黑暗。和我的一部分,“老兄,这是像15年。这是简历上的信贷,帮助你得到另一份工作。这笔交易是什么?”You know, I'm used to writing screenplays and making up characters, not writing autobiographical short stories. So [I think the biggest thing I learned] was figuring out how to properly tell those stories in a way that was more authentic rather than just visceral.

KP:这确实是个艰难的一章写,我很高兴我可以结束本书。我的意思是,一方面,就像,“好吧,这只是发生在我身上。我太接近任何形式的角度,对吧?”So it is kind of an emotional story. But then on the flip side, it was like I thought it was important to tell because it's an example, I think of everything I love — all the opportunity that I feel about what we do and then also all the frustrations, all in one story. So it was everything that I had talked about in the book up until that point. I was and remain so thankful that I had the chance to create what at that point was the most diverse show on network television to date with the most diverse writers' room. The show wasn't necessarily about that. We just wanted to make everybody laugh. And the big reveal, I mean, I'll ruin it a little bit, but obviously, it's a long chapter, so you'll get more out of it. But you know, the big reveal was after we got canceled the advertising magazine Ad Age ran a piece where they desegregated NBC's ad spend data and found that the network had spent something like 3,300% less on our show than they did on the far less diverse offerings that they had on the same night. And the reason that was so shocking — and maybe it shouldn't have been — but the reason that was so shocking is that the networks used the Nielsen ratings as their benchmark of measuring the success and failure of a show. And undoubtedly, we were the lowest-rated show, so of course, we had to get canceled. But if you're using one metric to measure the success of every show, but you're not investing equally in those shows, then you're setting up the performers of color to fail. And I think that's endemic to network TV because they're competing in an ad-driven model. They're competing against streaming platforms that don't have to worry about ad revenue. So the streaming ones inevitably are going to be investing more in these really diverse stories. And so that whole thing putting it together, on the one hand, it was like, I definitely still had a chip on my shoulder. But on the other hand, how do you tell this story in a way that contributes to the overall subtext of the book, which is systems do change and they can change, and they only change when we kind of get into them and do what we love to make things a little bit better? So I'm glad you asked about that chapter was definitely a tricky one to write.

KP:我很兴奋分享这个故事关于杰克和我遇到了因为它,告诉我,很可笑的。杰克是一个非常安静的人。他在密西西比农村长大。他不喜欢的注意力。所以我写这个故事关于我们见面,这是我当时在白宫工作。他周日过来——我应该前言这说我们见面当我住在华盛顿特区,和星期天几天,白宫工作人员真的有时间,和你应该做洗衣和运行您的差事,也许挤出一个日期。

所以我说,“是的,就过来,我们会在下午喝几瓶啤酒。”And this dude rolls into my apartment with an 18-pack of Coors Light and turns on a NASCAR race on my TV. And I was like, "Oh, I know how this is going to end. It's going to end in 20 minutes when he leaves with 16 of those beers because we have nothing in common." So while I was putting the memoir together, I was like, "Hey, can I tell that story?" Because our friends obviously know the story and think it's hilarious. We've been together for 11 years. But I wanted to be respectful of his privacy as well. And the fact is that he, like my parents and my brother, really doesn't love the limelight.

我会给最好的例子是第三哈罗德和库马尔首映。你知道,我们把车,每个人都在一起。当我们拉起,我的父母,我的弟弟,杰克,和我们的几个朋友,他们都下车。这是一个非常大的汽车,他们通过戏剧的侧门。他们说,“我们要抓住爆米花和苏打水和我们会看到你在一个小时的席位。”I'm like, "Wait, what?" And they're like, "You go do the red carpet thing you have to do". I'm like, "You guys don't want to at least take one picture with me?" They're like, "No, we love you and support you and we'll see you inside the show."

我主要是想要尊重他们的隐私,他们的愿望,把这本书放在一起说,你知道的,有两个很欢乐的故事,我想告诉。一个是杰克和我遇见,因为通过纳斯卡,顺便说一下,重点的是,我们都我们都长大露营。你知道,他在密西西比农村长大,没有很多钱。家庭度假露营地和纳斯卡比赛的人。对我来说,我是,你知道,移民的儿子。我爸爸搬到美国12美元在他的口袋里。我们还去露营,因为这是一个成本有效的方法来花时间与家人。所以这个故事对我来说意味着很多,我的父母的故事。事实上,我爸爸搬到这里了12美元在他的口袋里,希望更好的生活,或者我想要的东西。

我希望他们允许告诉我想确保我告诉他们事实,尽可能正确的一种方法。你知道,我爸爸在孟买的成长在一个公寓。有六个人在一个房间里。没有自来水,没有厕所。如果你想用浴室的话,你必须走一直到结束的建筑,这是一个集体在地上挖一个洞。所有这些故事让我今天我是谁。所以我很兴奋地与人分享阅读这本书或听有声读物。这就是进入的这一切。

她在Instagram发布这张照片的故事,标题,“是的!今天我刺穿她的耳朵。不能等到互联网给我打电话一个虐…关系当中。少走。”

希拉里的标题指的是当人们称她为穿刺她的大女儿的耳朵当她还是个婴儿。许多评论者称为决定引用“虐待”,因为她的女儿不能同意。

在一次新闻发布会上,布莱恩透露,当导演赵克洛伊和制片人内特摩尔第一次玩Phastos走近他,他问他要失去多少体重。

他说,克洛伊告诉他,他们想他一样,添加、”一个黑人,有人看着你说,‘我们希望你和你的完全一样,“不像我所感觉的东西。”